![]() Ballard’s work and the legacy of his program has made it possible for UConn students-such as David Rudman and Todd Hannert, whose work is featured in our accompanying Spiffy Pictures exhibition-to play essential roles in the development of puppetry around the world. Pinafore in 1989, just before his retirement, which was brought on by the onset of Parkinson’s disease. ![]() Professor Ballard and his students designed, built, and performed over twenty puppet productions at UConn, beginning in 1968 with The Mikado and ending with H.M.S. Ballard joined UConn in 1956 as a set designer and technical director, but in 1965 he began what has became the Puppet Arts Program. Installation by Matt Sorensen, Emily Wicks, and John Bell.įrank Ballard into the 80s: Babes in Toyland, The Blue Bird, and The Fantasticksįrank Ballard (1929-2010) worked tirelessly for 34 years at the University of Connecticut as a puppeteer, designer, director, teacher, and mentor. This project was made possible through an award from the National Science Foundation.Ĭurated by John Bell and Emily Wicks. This exhibition featured new works by puppeteers from around the world-Jae Sirikarn Bunjongtad, Sarah Frechette, Honey Goodenough, Dirk Joseph, Stephen Kaplin, Monica Leo, Tarish Pipkins, Poncili Creación, and Miss Pussycat-depicting the fascinating worlds of army ants and the creatures who live with them marionettes from Rufus and Margo Rose’s 1949 production The Ant and the Grasshopper and AntU toy theaters created in Ballard Institute workshops. In collaboration with the AntU project of UConn’s Department of Ecology and Evolutionary Biology, and the Connecticut State Museum of Natural History, the Ballard Institute presented Army Ants and their Guests: Works Inspired by the Carl and Marian Rettenmeyer Collection. Army Ants & their Guests: Works Inspired by the Carl and Marian Rettenmeyer Collection
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